Most of these albums are developed over a couple of months. Some songs go through as many as four passes, while others, (like Ghosting for example), I have no problems with on the first go.
This album was the trickiest to make so far. I started and then discarded more then seven tracks, either because I hated how they sounded or because they weren't unique enough.
I tried to make each track in this album do something new, that I hadn't done before. You may have noticed that the usual complimentary electronic/synth based track, like Vector Shift (from Riddle), Electrocation (from Husk), Lull (from Nuke) and Omicron (from Raze), isn't on this album.
I'm going to run down the production process for each song in the album, with some stats, for anyone interested, in the order of first song created to last.
Since the twelve track list is quite long and I don't want this post to hog all the space on the main page, click the post header or "Read more" below to see the full post!